[A]n artist whose work took her from Cumbria to Italy and back again will be featured at a new exhibition in Grasmere this spring.
The Heaton Cooper Studio will host a display of paintings, drawings and etchings by Jean Sturgis who died at Kentmere two years ago.
This exhibition brings together work from across the span of her career, revealing an artist of great sensitivity with a distinct and expressive vision.
Born Jean Nicoll, in 1931 just outside Kendal, she was the daughter of J.S. Nicoll, a Director of K shoes, who encouraged her early enthusiasm for art.
Among his friends were the artists Robin Wallace and William Wilson, and Jean, as a girl, was able work with them, since her father invited them to the family home at Staveley to lead painting courses for local children.
She studied art first at Goldsmiths College, London and then at the Slade School of Art. “It was a stimulating and challenging time,” says her artist son Daniel Sturgis. “Among her painting tutors were William Coldstream (the founder of the Euston Road Group), Patrick George, Maurice Field and L.S. Lowry. She learnt etching and print-making from the brilliant print-maker John Buckland-Wright. The emphasis of the teaching was always towards careful observation and working directly from the motif.”
In 1953, Jean was awarded a prestigious travelling scholarship that allowed her to work at the British School at Rome. Her 18 months in Italy –first in Rome, then in the little hill-top town of Anticoli Corrado – instilled in her a life-long love of the country, its art and its people.
Returning to England she settled in London, exhibiting in various shows in Edinburgh and London, including the Leicester Galleries, one the most prominent forums for post-war British painting. She also taught at Queen’s Gate School, and in mental hospitals.
In 1958 she married the architect Tim Sturgis and together they had five children. “Her dedication to family life altered the trajectory of her artistic career, but she continued to paint, and to engage with the arts in other ways,” says Daniel.
Jean was the Chief Examiner for O Level Art for the Oxford & Cambridge Examination Board, and taught art at the Westminster Under School. She also contributed acclaimed plant-drawings and watercolours to several gardening books, for authors including Rosemary Verey, Penelope Hobhouse and Esme Clarke. She contributed water-colour garden plans for books on Levens Hall, and Hatfield House, as well as for Hugh Cavendish’s A Time to Plant – Life and Gardening at Holker.
She returned to exhibiting in the 1990s, with a series of one-person shows in London – first at the Clarendon Gallery, and then at the Rebecca Hossack Art Gallery. In 2009 she was selected by Mary Burkett as one of five-artists in group exhibition at the Red Barn Gallery, in Melkinthorpe.
Settling in Kentmere where she developed a beautiful garden, Jean continued both to paint and to etch. Her later works retain all their sense of engagement and particularity. She said: “Landscape; buildings in their setting, whether urban or rural; trees and flowers in their surroundings: these have always been the stimuli for my work.”
The Grasmere exhibition, created by son Daniel with the artist Julian Cooper, will open at the Heaton Cooper archive gallery on April 14, and will run until the end of June. Director of the studio, Becky Heaton Cooper, said: “This will be a fascinating insight to the life and work of a very talented artist whose work deserves wider recognition.”